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Pupils' rail life learning experience from eye-witnesses

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Nearly 70 Budleigh Salterton children gained first-hand knowledge of the town’s now vanished rail links when they met two former British Railways employees during a visit to Fairlynch Museum. 

Yettington residents Colin Yeats, pictured above, left, and Roy Letten both worked on the Budleigh branch line railway until it was closed in 1967. 

Both are seen in the photo here with children who were accompanied by their teachers and support staff. 

























And here are more photos to show you some 'interractive' - hate that word - aspects of the visit.  



























“We’re really grateful to Colin and Roy for giving up their time,” said Fairlynch volunteer Kate Somerby, who had organised the visit to the museum by Key Stage 1 pupils from the town’s St Peter’s Church of England Primary School. 


























“It was a very special experience for the children to learn what the railway meant for Budleigh and its people.”




























Budleigh Salterton was connected to Sidmouth Junction by a line from Tipton St John’s that opened in 1897 and six years later the track was extended to Exmouth. 








The pupils were excited to be able to handle the ceremonial silver spade used by Lady Gertrude Rolle on 6 November 1895 to cut the first sod for the building of Budleigh Salterton station. They were also given the chance of wearing the station master’s cap.




















L-r: Colin Yeats, Kate Somerby, former Fairlynch Chairman Roger Sherriff and Roy Letten, pictured after the visit and looking pleased that it had all gone so well

The theme of the school visit on 7 October was 'Changes within living memory.' Other areas of Fairlynch Museum studied by the children included the costume, lace and toy collections. 

A new colour edition of Fairlynch’s best-selling title The Budleigh Salterton Railwayis about to be published and will be on sale in the Museum shop and at various outlets in the town.




Fairlynch Blooms win 2015 Award

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Fairlynch has been awarded 1stprize in the Community Gardens category of the 2015 Budleigh in Bloom competition. The Museum’s volunteer gardeners are feeling pleased that they are certain to have contributed to the town’s success at regional level.















In the South West in Bloom competition Budleigh Salterton won a Gold Award and the Ayre Cup for being the best in its category of a small coastal town with a population of under 10,000.  




















Fairlynch Chairman Trevor Waddington congratulated the team of gardeners – Odile Cook, Ann Hurt, Sylvia Merkel and Lynn Weeks – who work together to make the Museum garden such a magnificent spectacle.  “We know that the garden looks great, but it's nice to have this officially recognised by the experts!” he said.
 
















South West in Bloom is one of eighteen regional/national competitions that make up RHS Britain in Bloom, the biggest horticultural campaign in Europe.  

The aim of the communities that take part each year is to improve and regenerate our local environments, through the imaginative planting of trees, shrubs, flowers and landscaping, conservation and recycling projects, and to sweep away the eyesores that blight our streets, such as litter, graffiti and vandalism.

RHS Britain in Bloom judges tour the UK and in Budleigh were entertained to a cream and cake tea by Fairlynch.  

For the full list of winners in the regional category see www.southwestinbloom.co.uk







Brendan Neiland at the Brook

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Corporate Friends of Fairlynch The Brook Gallery, now based in both Exeter and Budleigh Salterton, is presenting a selection of work from celebrated artist Brendan Neiland, known for his memorable images of modern metropolitan existence.  The exhibition runs from 16 October to 16 November 2015. 

Professor Brendan Neiland, born in 1941 in Lichfield, Staffordshire, is an English artist best known for his paintings of reflections in modern city buildings. In 1992 he was elected into the Royal Academy.

Professor Neiland's interpretations of city life have gained him a reputation as one of Britain's foremost painters and printmakers. His use of light and pictorial structure, using a spray-gun technique developed at the Royal College of Art, has seen Neiland likened to Georges Braque and Johannes Vermeer. His work is widely exhibited in major museums and galleries worldwide including, in Britain, The Victoria and Albert Museum, The Tate Gallery London, The Collections of the British Council and the Arts Council of Great Britain.

He is represented by the Redfern Gallery and has had numerous shows internationally, including at the Galerie Belvedere in Singapore, who represent him in Singapore and the Far East.

The Brook Gallery in Budleigh opening times are: Tuesday - Saturday 10.30am - 5pm and Sunday 2pm - 4.30pm.  

The Brook Gallery in Exeter opens Tuesday - Friday 11am - 6pm; Saturday and Sunday 12pm - 4pm. 

For more information click on http://www.brookgallery.co.uk/


Archaeology studies at Fairlynch get a boost

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One of the fine panels in the Priscilla Carter Room at Fairlynch produced by local artist and designer Neil Rogers  



A rare set of volumes of the Devon Archaeological Society has been offered to Fairlynch, enriching the Museum’s resources in the Priscilla Carter Room.

Local resident Jack Major, who has donated the volumes, is delighted that the set will remain together rather than be split up, especially as it includes the much earlier Proceedings of the Devon Archaeological Exploration Society beginning with volume 1 from 1929.






















Amateur archaeologist George Carter, right, with friends

The collection is of considerable interest to Fairlynch as it contains two volumes dating from 1935 and 1936 in which articles by Budleigh Salterton amateur archaeologist George Carter about the pebble mounds of Woodbury Common were published.



















Professor Chris Tilley, seen here explaining the significance of the Bronze Age Jacob's Well site a few miles north of Budleigh Salterton 

Chris Tilley, Professor of Anthropology & Archaeology at UCL, has helped to re-evaluate George Carter’s research in the light of current investigation into the Woodbury Common sites. “He did not have much time or patience with establishment archaeological ideas and positions and fell out with some of the leading archaeologists of his day who did not appreciate the value of his work,” comments Professor Tilley. “Sadly he is now a forgotten figure in British archaeology. He was a man with ideas and interpretative approaches well ahead of his time.”


Professor Tilley’s commentary on the East Devon Pebblebeds Project at http://www.pebblebedsproject.org.ukhas given Carter his rightful place in local Bronze Age archaeological studies. “His work is central to the Pebblebeds Project because nobody else has ever excavated a pebble cairn before or since or tried to interpret their meaning and significance. Spurned by the archaeological establishment, Carter may well have the last laugh from his grave! Eighty years later most of what we know about the prehistory of the Pebblebed heathlands is due solely to his efforts.”

It was George Carter’s daughter Priscilla who co-founded Fairlynch Museum in 1967. Long before then, George Carter had gathered together a collection of locally-found items of geological and archaeological interest, most of which found their way into the present Priscilla Carter Room.

Cared for by Fairlynch volunteers and archaeology enthusiasts Angela and Tony Colmer the collection was properly catalogued and attractively displayed. Angela's death in 2007 followed by that of her husband four years later was a major blow for the Museum. 
























Since its refurbishment the Priscilla Carter Room has been much admired, but Nicky Hewitt, seen above, who took over responsibility for the collection earlier this year, would welcome help from another enthusiast. “I am much more au fait with the geology side than the archaeology,” she says. “It’s fun learning about people like Carter’s discoveries but it would be great to work with someone who has more expertise in that kind of area.”  

If you would like to be involved with the Priscilla Carter Room’s archaeological collection please contact Nicky (Tel:01392 874535 Mobile:  07967 909967 or

























Details of the periodicals which have been offered to Fairlynch are as follows:

Proceedings of the Devon Archaeological Exploration Society 1929-38; 1946-58.
Transactions of the Devon Archaeological Exploration Society 1963-64;
Proceedings of the Devon Archaeological Society 1966-83; 1985-2005; 2007-12.
























Published articles in the collection which relate to the Lower Otter Valley include the following:

Carter, G. Unreported mounds on Woodbury Common   (1936)
Carter, G. The pebble mounds of Aylesbeare Common  (1938)
Smith, E.   Notes on a series of flints from Woodbury Common  (1956)
Pollard, S.  Neolithic and Dark Age settlements on High Peak, Sidmouth,
Devon  (1965/1966)
Pollard, S.   Radiocarbon dating, Neolithic and Dark Age settlements on High Peak, Sidmouth, Devon  (1967)
Miles, H. Excavations at Woodbury Castle, East Devon, 1971  (1975)
Brown, S. & Holbrook, N. A Roman site at Otterton Point  (1989)
Joy, B. & Quinnell, H. A Beaker wrist-guard from Woodbury Common  (1993)
Taylor, J.  - The Colaton Raleigh gold bracelet hoard and its significance to the interpretation of the later Bronze Age (1999)
Tilley, Chris - Jacob’s Well, Black Hill: a Bronze Age Water Shrine on Woodbury Common (2009)












  

Delderfield biographer's new novel

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Admirers of East Devon author R.F. Delderfield’s work may remember Fairlynch Museum’s centenary exhibition devoted to him in 2012 and the talk given in Budleigh by his biographer Marion Lindsey-Noble. A re-edition of her book Butterfly Moments was published to mark the 100 years since Delderfield’s birth.

Since then Exmoor-based Marion has been busy. She’d already followed in the footsteps of Delderfield with her first novel, The Green Sari, published in October 2011. 

Set in Bangladesh where the former language teacher lived in her twenties, the book was described by its author as a heart-warming read and a bitter-sweet love story.

Now Marion has produced a sequel entitled The Banyan Tree, taking the story forward to the next generation of the Khan family who featured in her first book.

A large Banyan tree stands in the middle of the orphanage in Bangladesh where Ali and his American wife Martha have taken up their new jobs with great idealism. Soon they encounter enormous obstacles and difficulties. Natural and man-made disasters and heart-breaking tragedies make life almost unbearable. Least of all, had they expected that their relationship would suffer. Yet, they are captivated by the magic of this Third World country.

Meanwhile in England, Ali’s mother Karin - the main protagonist in the first volume - regrets having moved in with her ambitious daughter Jasmine and little Esme. As their relationship reaches breaking point, Karin and Jasmine each face their very personal dilemmas.  As news from Bangladesh gets worse, they all have to make life-changing decisions. Whatever happens, the Banyan tree will remain at the centre of their world.

You can buy a copy (ISBN 9780 9557 93240) from Amazon or e-mail directly to marion.lindseynoble@btinternet.com



Maggie Giraud’s art talks

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Fairlynch volunteer Maggie Giraud has just updated her website (www.talksaboutart.co.uk) and would like to draw your attention to some of the talks she has booked, which she hopes will interest and entertain you in the coming (colder!) months.


Maggie is a locally-based freelance art historian and curator. Her talk ‘Understanding Henri Matisse’ was chosen to round off the Museum’s AGM on 29 April. It was one of many talks which she has given during 2015.

A Fellow of the Royal Society of Arts, Maggie lists her specialist topics as Renaissance Florence, the early 20th century period in Paris, and Dartington Hall, where she was employed as curator and archivist.  However her talks on art cover a wide range.

“The ongoing series at The Castle Hotel, Taunton, ends on 12 November with a new lecture on Francis Bacon who has preoccupied me for a long time,” she writes.

“Presenting him coherently is a considerable challenge, but his fame is such now that he cannot be ignored easily, and will not go away.

If you fancy a day of deep immersion the Castle have also organised a lecture on Goya, by Trish Jones in the morning of the 12th November, and for £50 you can attend both lectures and have lunch at the Hotel. Both talks are bookable separately if your stamina does not run to Goya/Lunch/Bacon!

Starting on the 27 October, and into next year, there is a series of talks at Brook Gallery Exeter, which is in a most beautiful historic terrace in Exeter. This is exciting for me in several ways, with some new talks, and the opportunity to have an established venue in the city.

Next year, in February, I am giving one of the lunchtime lectures at RAMM in Exeter, on Dartington Hall, a place very close to close to my heart. And for those of you in London, I am speaking again at Richmond Art Society about Sergey Shchukin in March.

I hope you can find something to enjoy, and look forward to seeing you soon.

I am just in the process of discussing a full day course on Dartington Hall at Dillington House,Somerset, for March next year - another beautiful venue!”

For more information click on www.talksaboutart.co.uk 

From slavery to sponges: imagining conversations in Victorian Budleigh Part 2

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It seems that John Campbell, the wealthy Budleigh resident and benefactor of Henry John Carter, the future FRS, took a keen interest in the voyages undertaken by adventurers of his time. 

























Admiral Sir John Ross
By an artist of the British school, 19th century 

He would probably have read the 740-page volume written by a fellow-Scot who had made his name as an explorer. This was Captain, later Admiral, Sir John Ross (1777-1856), pictured above;  the account of his adventures was entitled Narrative of a second voyage in search of a North-West passage, and of a residence in the Arctic Regions during the years 1829, 1830, 1831, 1832, 1833. The bookwaspublished by the London firm of A.W. Webster in 1835, andJohn Campbell’s name is on the List of Subscribers to the companion Appendix which appeared later in the year.  

It is likely that such expeditions would have been a talking-point in 1830s Budleigh, close as it is to the ship-building port of Topsham.  One famous vessel associated with this ancient town on the River Exe because it was built by a local firm was HMS Terror. Constructed in 1813 by Topsham shipbuilders Robert Davy it belonged to a class of ships known as bomb vessels because their strength made them able to withstand the enormous recoil of their three-ton mortars.  This made them suited to Arctic service.

















HMS Terror thrown up by the ice. Engraving after a drawing by Captain George Back  (1796–1878) 
Image credit: National Archives of Canada / C-029929
    
In 1836, command of Terror was given to Captain George Back for an expedition to the northern part of Hudson Bay in Canada, with a view to entering Repulse Bay, where landing parties were to be sent out to determine whether the Boothia Peninsula was an island or a peninsula. 

However, Terror failed to reach Repulse Bay and barely survived the winter off Southampton Island, at one point being forced 40 feet (12 m) up the side of a cliff by the ice. In the spring of 1837, an encounter with an iceberg further damaged the ship, which was in a sinking condition by the time Back was able to beach the ship on the coast of Ireland at Lough Swilly.






















Portrait of Sir James Clark Ross by John R. Wildman. The object in the bottom righthand corner is a dip circle, designed by Robert Were Fox and used by Ross to discover the magnetic north pole.

Sir John Ross’ nephew, Captain Sir James Clark Ross FRS (1800-62), was one of the heroes of the Victorian age, honoured by learned societies and institutions both in Britain and Europe. He had been elected a Fellow of the Linnaean Society of London in 1823 and a fellow of the Royal Society in 1828. He accompanied his uncle on their voyages of discovery and co-authored the 1835 Narrative already mentioned.     

















Erebus' and the 'Terror' in New Zealand, August 1841, by John Wilson Carmichael

Having explored the Arctic regions he went on between 1839 and 1843 to command an Antarctic expedition comprising the vessels HMS Terrorand HMS Erebus, with the aim of charting much of the coastline of the continent. He discovered Victoria Land and the Ross Sea, named after him, as well as the volcanoes Mount Erebus and Mount Terror, named after the ships.

Carter pays tribute in an 1872 article in the Annals and Magazine of Natural History to Sir James Clark Ross. That year, having settled at The Cottage on Fore Street Hill where he would begin his immense work of cataloguing sponges from all over the world, he received some fragments of sponge which had been preserved in spirit in two jars at the British Museum. 

Superficially, as he notes, they did not seem particularly special; indeed, but for the presence of spicules — the tiny spike-like structures characteristic of sponges — they might very well have passed "for so much wet brown paper torn into pieces and soaked in sandy mud."  But his friend Dr Gray at the Museum had asked Carter to examine the specimens "with reference to any thing that might remain untold about them, as well as to their future arrangement there."


















Yes, there are sponges in Antarctica. 
Green and yellow sea sponges in McMurdo Sound.  
Image credit: Steve Rupp, National Science Foundation


What fascinated Carter were the labels with their faded writing,  proving that the jars' contents had been dredged up and collected by a team led by Ross during the latter’s Antarctic Expedition of 1839-43. Clearly, Carter shared Campbell’s admiration for the great Victorian naval hero, naming the sponge Rossella antarctica after him. 


"No doubt it was on this occasion that the fragments of sponge still preserved in the British Museum were obtained," Carter concluded after reading Ross's 1847 book A Voyage of Discovery and Research in the Southern and Antarctic Regions during the years 1839-43. "Rolled over and over by the dredge, probably in a rough sea, and mixed up with the sandy mud of the bottom, it is not extraordinary that they should have passed into the state mentioned."

And in a relatively rare insight into Carter's feelings about the character of such brave explorers and scientists he writes: "The only part extraordinary is, that at such a time and under such circumstances as those recorded in the bookto which I have alluded, the dredge should have been put overboard at all. No one but a cool and intrepid scientific investigator of the highest type could achieve such results as were obtained in this Antarctic Expedition." 

With a reflection which surely looks forward to the courage of Robert Falcon Scott and his companions of the 1910-13 ill-fated Terra Nova Expedition half a century later he concludes: "Well might England be proud of such men!"

It’s fun to speculate, where no hard evidence exists apart from that one sentence in in John Campbell’s will. £300 in 1841 was a considerable amount, worth approximately £26,000 in today’s money. 

As Campbell’s protégé, it does seem highly likely that Henry Carter might have been inspired to travel abroad rather than follow a career as a doctor in Devon. And he would probably have benefited from earlier funds made available by Campbell for his schooling. 

But where? Exeter School? Its archivist told me that they would have loved to be able to boast of his attendance there. But sadly they were unable to help. So yet another search continues! 


Budleigh Salterton Railway's Colourful Past


Object of the Month, November 2016: Our loco plate

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November's Object of the Month as featured on Fairlynch Museum's noticeboard, with some accompanying verse!

Click on the image to enlarge it.




Locomotive 21C114, seen above, was renumbered 34014 in November 1948. It was rebuilt at Eastleigh, Hampshire in March 1958, having run 573,677 miles.  In its rebuilt form it completed a total of 837,477 miles before being withdrawn in March 1965,

Original loco nameplates, as they are known by railwayana enthusiasts, are highly prized and Fairlynch Museum was lucky enough to acquire this fine cast brass specimen, named after our town.


Loco nameplates are named after famous people, places, and events. 



A little clown’s talents revealed

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Above: The many faces of Reg Varney, by cartoonist SPARK 

After the revised edition of Fairlynch Museum’s publication The Budleigh Salterton Railway, something rather different.























Work is in progress on a souvenir booklet which will accompany next year’s centenary exhibition to mark the birth of entertainer and former Budleigh resident Reg Varney.

With a Foreword by the Museum’s Patron Lord Clinton, the booklet will cover more than just the comedy actor’s successes in shows like ‘The Rag Trade’ and ‘On the Buses’. 























Born in Canning Town, in London’s East End, Reg Varney first made his name as a pianist and singer in working men’s clubs and cinemas. He is seen here, aged 15, in a gypsy costume made by his sister Bella in preparation for his first public performance at the Plumstead Radical Club in south-east London.


















His secret ambition while still at school had been to study art. Unfortunately there was a problem. “As I was such a dunce at arithmetic I failed the simple sums test I was given, so that was the end of my dream”, he explained in his autobiography The Little Clown.
    
Reg was certainly a gifted artist. He completed this study of two dogs at the age of 13.   























Later, in retirement he had the chance to show off his artistic talents, producing fine oil paintings like this landscape.

A bout of pneumonia as a child left Reg Varney with cardiac problems and he suffered two heart attacks during his lifetime. The booklet and the exhibition are being prepared in association with the British Heart Foundation.  


Passionate about the Pebblebeds

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Nicky Hewitt in Fairlynch Museum’s Priscilla Carter Room

Fairlynch’s own Nicky Hewitt will be giving a presentation about the natural history of the Pebblebed Heaths on Thursday 5 November.

Nicky, who looks after the archaeology, geology and natural history collections in the Museum’s Priscilla Carter Room, made a deep impression in the local area with her impassioned letter to the Woodbury News about the Pebblebeds in October 2014, and an invitation to speak to the village’s Local History Group followed.

Nicky also works for the RSPB on the area’s Commons as a part-time administrator and writes the regular report on the Aylesbeare Common Reserve. Based on her first-hand experience and considerable knowledge, this talk about our mysterious local landscape should be thoroughly illuminating.

The talk begins at 7.30pm in Woodbury Village Hall.  Non-members are welcome to attend.


From Bluebeard’s Castle to The Woodshed

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It’s good to see Fairlynch Museum volunteers out and about speaking about their pet subjects, ranging from the Pebblebeds to Favourite Artists.  

But Maggie Giraud’s inspection of ‘Something in the Woodshed’ will be rather different from Nicky Hewitt’s talk on the natural beauties of our Commons which I mention here

Maggie, who is involved in cataloguing the Museum’s art collection and preparing the 2016 exhibition on the work of Joyce Dennys, is giving  the second talk in a series held on a monthly basis at Brook Gallery, Exeter, beginning October 2015.  The talk, as described on her website, “tiptoes into the sinister world, where artists have portrayed uncomfortable images of women, and where things are not always as they seem.”

How very unsettling! But there are familiar as well as unfamiliar names in the list of artists – Balthus, Bellmer, Degas, Magritte, Manet, Matisse, Picasso, Rego and Sickert to name just a few! – which Maggie may be mentioning in her talk.     

‘Something in the Woodshed’ on 24 November is the prelude to what are described as a 16-day campaign “to highlight the line between violence against women and human rights.”   The campaign itself runs from the UN International Day of Elimination of Violence against Women on 25 November to Human Rights Day on 10 December. 

Maggie’s talk coincides with the launch of ‘16 Days of Action’ an exhibition by Exeter-based artist Catherine Cartwright.  It consists of prints which explore the visualisation of domestic abuse, particularly coercive control, shown alongside prints from Paula Rego’s series about female genital mutilation.  

‘Something in the Woodshed’  will take place at 6.30pm-8pm. Tickets cost £10, including refreshments. Spaces are limited so call or email the gallery to reserve your place. For more information visit http://www.brookgallery.co.uk

For some reason or other, when I read the title of Maggie’s talk, the name of Bluebeard came into my head – and sure enough this archetypal bogeyman crops up in the work of Paula Rego, a  Brook Gallery favourite about whom I’d like to know more. Hence the spooky portrait by Harry Clarke which illustrates the 1922 edition of The fairy tales of Charles Perrault.








As Proust said, Reg Varney lives on... (well, sort of)

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Try a madeleine cookie, or a YouTube clip

Feeling the need for a bit of nostalgia? Visit a museum! It’s not just self-indulgent. Museums can have a powerfully therapeutic effect when it’s a matter of dealing with something like dementia.

Of course you don’t even have to visit a museum. French author Marcel Proust found that the taste of a madeleine cookie, the tinkle of a teaspoon or the sight of a hawthorn hedge in bloom could transport him back to childhood in what he describes as a magic armchair whisking you through time.

My madeleine experience came the other night with friends in The White Hart pub in Woodbury. I’d just happened to mention my current museum obsession when from the other end of the table came that long forgotten but instantly recognisable, wheezing, strangulated, raging cry: "Get these buses out, Butler!"

Clicking here will have a similar effect as you remember from all those years ago a much loved British entertainer. And see also a decent and talented man who loved Budleigh Salterton.  


Bicton’s Countryside Museum gets new guide

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The newly edited Guide to Bicton Countryside Museum 

To Bicton for a weekend walk to admire the autumn colours. But really, I wanted to take another look at the wonderful Bicton Park Botanical Gardens Countryside Museum.

Fairlynch, like many East Devon museums, is being put to bed for the winter. But Bicton Botanical Gardens’ proud boast is that it is open all year, excluding Christmas Day and Boxing Day. Unfortunately, unlike Fairlynch, they charge for admission, but if you become a member and pay what I think is a moderate amount you can wave your card and get in free on every occasion as well as receiving a 5% discount on purchases in the gift shop and restaurant.   
























The old guide: I grew up in Somerset with a John Deere tractor! 


When I first discovered the Countryside Museum I was surprised to find that it didn’t have its own guide on sale in the gift shop. There had been a guide, but it dated from the 1980s and was out of print. I looked online, but it wasn’t even obtainable secondhand.














That seemed crazy because this museum of agricultural life in the Lower Otter Valley is really superb. It can be overlooked, like the sweet little Shell Museum also hidden away in the Gardens.

Farming and agriculture represent a rather large gap in Fairlynch Museum’s coverage of local life, but of course, cramped as we are for space, all we can do is recommend a visit to Bicton.

And now, at last, the Botanical Gardens have brought out a new guide. It’s described as “brief” but actually it’s pretty dense, nicely written with masses of (excellent) informative detail and plenty of images. I can’t recommend it too highly.   

I feel a series of blog posts coming on about Bicton, enthused as I am about the place.     

To be continued.

See more at http://www.bictongardens.co.uk/

Who’s heard of Henry Beston (1888-1968)?

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I knew nothing of this American writer and naturalist, but news from Budleigh Salterton’s sister-town of Brewster on Cape Cod on the far side of ‘The Pond’ always catches my eye.

So I thought I’d like to know more about an illustrated presentation on Beston’s life and work being staged in Brewster. It was given by writer and film maker Don Wilding on 7 November at the Cape Cod Museum of Natural History in Brewster. Of course I should have mentioned it before the event!

Preoccupied as we are with Remembrance and the Great War, but, Francophile that I am, I was also interested to learn that after leaving Harvard, Beston took up teaching at the University of Lyon in France.

In 1914 he returned to Harvard as an English department assistant, but then came back to Europe, joining  the French army in 1915 and serving  as an ambulance driver. His service at Bois-le-Prêtre and at the Battle of Verdun was described in his first book, A Volunteer Poilu

There’s a lot more about him on the excellent Wikipedia site https://en.wikipedia.org/wiki/Henry_Beston

The presentation in Brewster on 7 November told how Beston, spiritually shaken by his experiences in World War I, retreated to the Outer Beach at Eastham, on Cape Cod, in search of peace and solitude.  He wrote the book The Outermost House after spending what he called "a year of life on the Great Beach of Cape Cod.”  

The book, first published in 1928, is now considered a Cape Cod nature literary classic and has gone through dozens of printings since then.  

You can read more about the author at http://www.henrybeston.org/






Exeter Festival Chorus at Sidmouth: Sunday 15 November

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Fairlynch Trustee Kate Somerby will be performing as one of the members of the Exeter Festival Chorus  on Sunday 15 November at 3.00 pm in Sidmouth Parish Church.



















Professional actress and Fairlynch volunteer Kate Somerby, with friend


Described as “a unique Sunday matinée of choral favourites, from the intensity of Lotti's Crucifixusto the cool of Manhattan Transfer's Java Jivethe programme  includes Handel's Zadok the Priest, Fauré's Cantique de Jean Racine, Queen's Seaside Rendezvous, Paul Simon's Bridge Over Troubled Water plus music by Rachmaninov, Mozart, John Rutter and jazz legend George Shearing.

And if that were not enough, also included is Bob Chilcott's masterly musical setting of Aesop's Fables which brings to life each story, from the groaning mountain to the dozing tortoise at the end of the race, in a portrayal of these moral tales that is sure to appeal to audiences of all ages.


You can find out more of what’s happening at the Exeter Festival Chorus at https://www.facebook.com/Exeterfestivalchorus/

Thanks! Card Shop Too and TIC

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Plenty more copies of The Museum’s newly re-edited publication The Budleigh Salterton Railway have now arrived in local shops.

At 40 pages, in a slightly larger font size and in full colour, the new edition has been welcomed by railway experts, including author Alan Young who kindly contributed technical advice. “It looks good,” he commented. “I hope it flies off the shelves.”

The original text, easily understood by the general reader, has been retained but some additional images have been used, including some which are not in Fairlynch Museum’s collection.
















On sale here, on Budleigh High Street 

The Budleigh Salterton Railway makes a brilliant Christmas present for anyone interested in the area’s past as well as railway enthusiasts.




 

And here, at the Tourist Information Centre on Fore Street

It retails at £4.50 in the shops. Fairlynch is most grateful to Budleigh Salterton Tourist Information Centre and to The Card Shop Too for enabling sales to benefit significantly  the Museum. Grab your copy now! 

A Doll for December

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Dear little Lithuanian
I do adore your dress.
Your eyelashes are charming
And excite me, I confess.
But when I read your history,
And learnt from whence you came,
It filled me both with sadness
And a little bit of shame.





A new month is approaching and I intend to keep to my self-imposed promise that I would display each month an image relating to Fairlynch Museum.

Not just on my blog, but on our smart new noticeboard, kindly provided by Honiton-based firm Duralife Windows. Just as I was scratching my head about what to choose next, Sue Morgan, our Toys, Dolls and Bears expert at Fairlynch kindly gave me some information about a Lithuanian doll in the Museum’s collection.

I thought the story behind it was so sad that I was moved to write the above poem – well, my friend Annie calls my efforts doggerel – so, OK – ‘verse.’

Here’s the story, based on information given by the donor, Miss Barbara Blathwayt, of Sunny Bank, East Terrace in Budleigh Salterton.

“It was given to me by a Lithuanian woman when I was serving with the Relief team in Germany in 1945-46,” wrote Miss Blathwayt.

“The displaced people who we worked with in the transit camp made dolls etc which they kindly gave to us. The doll was made from munition bags which they washed and dyed presumably, and embroidered.”

“They were all extremely patriotic and keen to preserve their identity.”

And no wonder I thought, reflecting on how at the moment of my birth, Europe was in turmoil after WW2 with floods of refugees pouring this way and that.

Like Poland, Lithuania has had a raw deal in its history, being occupied at various times by more powerful neighbours.  Grabbed by the Soviet Union in 1940, it was then taken over by Nazi Germany before being reoccupied by the Russians.  Presumably the Lithuanian woman who made the doll was never able to return to her homeland.













But on 11 March 1990, it became the first Soviet republic to declare itself independent, resulting in the restoration of an independent State of Lithuania.  



















Long may it remain free, with its own flag and coat of arms which I found on the excellent Wikipedia site. (Must remember to make my usual donation to help keep this incredible facility going).























Barbara Blathwayt, incidentally, lived with her sister Jean (1918*-1999) the children's book author. They're both buried in St Peter's Burial Ground in Budleigh Salterton. 

Their aunt Joyce Dennys (1893-1991) was already settled in Budleigh as the wife of the town’s GP when Jean and her sister moved here in 1953. Their father the Revd Francis Linley Blathwayt was a parson-naturalist who held the living of Melbury Osmund in Dorset from 1916 to 1929. Twenty-two volumes of his diaries are held by Dorset County Museum. He and his wife eventually settled at Dyrham Rectory in Gloucestershire.

Jean Blathwayt wrote a total of 15 books for children with titles like Jo’s Neighbours, Peter’s Adventure and Lucy’s Last Brownie Challenge. Some of them have recognisable links with the Budleigh area.

Maybe among her papers was the manuscript of a children’s book about the Lithuanian doll. What would she have called it?

Any Lithuanians out there? What name should Fairlynch Museum give to its Lithuanian doll?
 

*  Uh, uh… Another birth centenary for the Museum to mark! 

Budleigh Salterton Male Voice Choir 2015 Christmas Concert

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Our Friends in the Budleigh Salterton Male Voice Choir will be singing a selection of Christmas songs and other songs from its extensive repertoire.  They will also welcome local soprano Val Howels as their guest artist, which will be the 21st year she has sung with the choir. 

The Choir has a policy of supporting good causes. Five years ago a concert in Budleigh raised an  impressive £1,350.00 for Fairlynch Museum.

Earlier this year, Budleigh Salterton Male Voice Choir celebrated success in a prestigious competition. It received third prize in the large choir category at the Cornwall International Male Voice Festival – the first time it had achieved a top three finish.

The Christmas 2015 concert will be at Temple Methodist Church on Friday 11 December at 7.30pm, as shown on the above poster which gives details of ticket prices and sales outlets.


Trial by Jury – wickedly updated in Budleigh on 5 December

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Fairlynch Museum's 2016 exhibition 'Our Little Clown' is a a centenary tribute to Reg Varney, former Budleigh resident and a much-loved figure among past British entertainers.

Imperial Productions, as locals will know, has been in the business of entertaining audiences in the area for many years.

They are delighted to return to Budleigh Salterton this Christmas with a whacky, wicked and wonderful update of Gilbert and Sullivan’s classic court-room comedy, ‘Trial by Jury’.  























Simon Jones as Mr. Justice Soxon

This hilarious adaptation - by prize-winning composer/lyricist Alaric Barrie - started life as a charity show in the Guildhall School of Law Courtroom and has since been produced at the Inns of Court in London and as part of the New Wimbledon Theatre ‘Fresh Ideas’ season, where it was their most successful studio production ever.



















Robert Felstead and Rebekah Engeler as the litigants - Eddie Gilbert and Angie Sullivan

The show tells the tale of Eddie Gilbert – a Chelsea football player – who is being sued by his ex-girlfriend, cleaner Angie Sullivan, for not going ahead with her planned celebrity wedding. 




















Tom Ward and Alicia Kearns as Jean-Bernard and Cheryl Fernandez-Versini

She calls on her old school-friends and potential bridesmaids Victoria Beckham and Cheryl Fernandez-Versini for support – both of whom know what it is to be a WAG – and flirts shamelessly with the judge in order to get herself a massive portion of Eddie’s considerable fortune. 




















Robert Felstead and Rebekah Engeler 

Eddie, meanwhile, has hired Cherie Booth QC as his brief - a decision he may come to regret.

As well as lovingly updating the original libretto, Alaric has added parodies of many other Gilbert and Sullivan classics, so listen out for tunes from The Mikado, The Gondoliers, HMS Pinafore, The Pirates of Penzance et al.!














Robert Felstead and Rebekah Engeler 

To open the show in Budleigh Salterton, there is the added bonus of a glorious concert of classic love songs from the golden age of stage and screen, with hits by such brilliant writers as Cole Porter, Irving Berlin, Richard Rodgers, Oscar Hammerstein II and Jerome Kern. 















Kirsty Bennett and Philip W. Errington battle it out as Cherie Booth QC (Counsel for the Defendant) and John Masefield QC (Counsel for the Claimant)

Titled simply “True Love”, the concert will lift your romantic spirits to prepare you for the roller-coaster farce that is ‘Trial by Jury’. In the course of a couple of hours, you will literally be taken from the sublime to the ridiculous – and hopefully love every minute of it!

The show plays for one day only – December 5th – at 2.30 and 7.30 in the Public Hall, Station Road, Budleigh Salterton. Tickets are now available at just £12 from the Budleigh Salterton Tourist Centre, 01395 445275.





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