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Hunting the Ladies of the Raj: Part I

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Welcome to a Nottingham visitor from Fairlynch Museum. The city of Nottingham: a montage. From top left: Robin Hood, Council House, NET Tram, Castle Rock Brewery, Trent Bridge, the Castle Gate House, Wollaton Hall , Ye Olde Trip to Jerusalem and Nottingham Forest's City Ground 
Image credit: M.M. Pawell

During a meeting at the museum the other day I was interrupted by a request that I should help a visitor, a journalist on the Nottingham Post who needed some information. She’d been directed to Fairlynch as the only place which might provide it. 

The visitor apologised for disturbing me, especially as the museum was not officially open. But she was unable to call in the afternoon during opening time, and had come all the way from Nottingham to Budleigh Salterton in search of what she described as “the ladies of the Raj.” An Indian professor from Bristol University whom she’d recently met in Sidmouth had recommended Budleigh as theplace to find them.

Budleigh’s Tourist Information Centre had been unable to help her, and I was at first puzzled as to where the exotic creatures might be hanging out in our little town. The only lady from the East I could think of was the Big Issue seller that you sometimes see settled in her usual place on the pavement in Budleigh’s High Street.


 Interesting pics to illustrate my biography of an interesting Budleigh man

And then I realised that I was facing the shelf of publications in our museum shop where my little booklet about Henry Carter FRS is still for sale.



Pictures of Victorian India began to float back into my mind: steamships puffing past a confusion of minarets and impossibly grand imperial palaces, horribly diseased limbs confronting the young Budleigh-born army surgeon, his travels across the Arabian Sea…  


 Banganga Tank and Walkeshwar Temple, Bombay: a photo of c.1855

...and especially the ‘tanks’ of Bombay as they were known: reservoirs of what must have been fairly fetid water supplies for the 19th century city, where Carter discovered the microscopic creatures whose tiny lives would inspire him to become the world’s expert on marine sponges. 

But Henry Carter remained unmarried during his time in the sub-continent. Only on his return to England in 1862, and having settled back in his “native place” did he take a wife. And she was from Ireland rather than India.

Still, I was sure that my visitor would find something of interest in The Scientist in The Cottage, and as it was only £2 she bought a copy on the spot.

And then it suddenly struck me: one of Budleigh Salterton's best known artists, Joyce Dennys, had been born in India, in 1893. Her father was a professional soldier in the Indian Army. A good selection of her paintings can be seen at Fairlynch.












And George Carter - pictured above - local amateur archaeologist and father of the co-founder of our little museum had spent many years working in the sub-continent.


Priscilla Hull, co-founder of Fairlynch Museum, whom I tried to introduce to Facebook

His daughter, Priscilla, after whom the Priscilla Carter Room is named, had been born in Bombay.



So had the artist Cecil Elgee, illustrator of the book Costumes and Characters in the Days of the British Raj, which appeared in 1982.  

On 14 February 1980 she gave a Winter Talk on this very theme to the Friends of Fairlynch. The pictures that she showed of her time in India caught the eye of Richard Webb at the Exeter-based firm of Webb & Bower, co-publishers of the immensely successful Country Diary of an Edwardian Lady





The novelist R.F. Delderfield (1912-72), a one-time local resident, enjoyed poking fun at Budleigh Salterton’s ex-pats from the Raj. In his autobiography, Nobody Shouted Author, he amusingly explains how our town’s popularity originated in the 19th century, referring to it by the invented name of Pebblecombe Regis.

A "battle-scarred colonel", so Delderfield would have us believe, was sipping his whiskey-peg in a Bangalore club a year or two after the Indian Mutiny.  He was just about to give his attention to an article about a justifiable massacre of Sikhs in a month-old service periodical when his eye was caught by a letter from the preposterously named Major Bullington-Headrush CMB, writing from "The Stockade, Pebblecombe Regis.”


Firearms are making poltroons of us all, reads the Colonel, with what Delderfield describes as "a kindling eye."Let us accept the challenge of the hairy savage and trounce him with his own weapons! What has happened to the bowmen who cut up the French at Crecy and Agincourt!

And the Major ends with a question which fires his reader with the desire to meet and congratulate such a "dam' sensible feller."   Where are the yews that supplied our bowstaves and for so long were a compulsory adornment of all our churchyards?

Delighted by this "challenging appeal for the reintroduction of the longbow into our national armoury" the Colonel straightway writes a letter to Pebblecombe Regis enquiring about vacant houses in the immediate neighbourhood, having decided that a Major with such admirable views would make an excellent neighbour when he retired in two months' time.





Few local homes, if any, can boast tiger skins nowadays. In the past they would have been part of the décor in many of the homes of Budleigh’s Anglo-Indians

According to Delderfield, the Colonel was soon followed by many of his friends and colleagues. "It wasn't so long after that one began to see masses of iron-bound trunks, together with bundles of rusty assegais, Afghan firelocks, snarling tigers' heads and tarnished Benares wares piled on the quays of Calcutta and Bombay, stuck all over with labels marked: 'Poona to Pebblecombe Regis', 'Quetta to Pebblecombe Regis', 'Cawnpore to Pebblecombe Regis', and so on, whilst Pebblecombe Regis itself began to take on the aspect it wore right up to the end of the Second World War."

"At any time between 1860 and 1945,” continues Delderfield’s account, “the High Street of Pebblecombe Regis could easily be mistaken for a European quarter of a garrison town. Anglo-Indians, with hard, blue eyes, fierce moustaches, and mahogany faces, literally rubbed shoulders round the fishmonger's slab, whilst their womenfolk, with that total disregard for eavesdropping characteristic among the wives and daughters of professional soldiers, exchanged bits of gossip across the main street, at the tops of their voices."  



Portrait of Thomas Shapter in the Royal Devon and Exeter Hospital

The real reason why Anglo-Indians settled in this part of East Devon was of course its wonderful weather. Budleigh Salterton was specifically mentioned in Thomas Shapter’s The Climate of the South of Devon : And Its Influence upon Health, with Short Accounts of Exeter, Torquay, Babbicombe, Teignmouth. An edition was published in 1862, the year in which Henry Carter returned to his home town.

A near-contemporary of Henry Carter, Dr Thomas Shapter (1809–1902) was born in Gibraltar, graduated from Edinburgh University, and arrived in Exeter in the year that cholera arrived. Today, Dr Shapter is best known for the account that he wrote of this devastating outbreak in his The History of the Cholera in Exeter in 1832.  Apart from the two above works he also published Leprosy in the Middle Ages

Interestingly, Shapter’s book on the climate of South Devon is dedicated to Edward Parfitt, Librarian of the Devon and Exeter Institution and a friend of Henry Carter.

Recently I was surprised to see‘Shapter on the Climate of Devon’ as a book proposed for disposal from Fairlynch Museum’s George Carter Library. No proper author’s name was given, and there was no date of publication. Thomas Shapter’s 1842 edition of the book sold at Bonhams in 2008 for £54.

I stepped in quickly to save this classic study by a noted Exeter doctor.

My surprise turned to annoyance when I also noticed that Mrs Temple-Wright’s Domestic Manual for India had appeared on the ‘Disposal’ list.  Published in 1896, it was a classic of its kind, went through several editions and is frequently quoted by modern scholars of Anglo-Indian history.

Such books should obviously be among the items in the Museum’s Local History collection of artefacts and memories based on the important Anglo-Indian connection which is part of the Lower Otter Valley’s heritage.

To be continued

A Fireship on the Lawn

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Visitors to Fairlynch may be puzzled on seeing this colourful panel in the Museum’s front garden. All will be revealed if they buy their copy of The Times of their Lives, the second in the Heroes of the Jurassic Coast series of adventure stories set in East Devon.

The stories are written by pupils of St Peter’s, Drake’s and Otterton primary schools with the help of their teachers and the support of a guest writer.























The first of various murals which illustrate scenes in this latest book was featured in an earlier blog post  here

This panel in the Museum garden relates to Chapter One, entitled ‘The Fireship’ and was painted by students from Exmouth Community College.

Can’t you can just hear and see the “devastating battle cries with boats bursting into flames, wild flames that were swirling and spinning out of control” and the “constant firing of the hurtling cannon balls”?  

Sir Francis Drake makes an appearance in this chapter, written by pupils from St Peter’s. I won’t say any more. Just buy the book. It’s on sale at £5 at various outlets in Budleigh Salterton.  

Aspects of Fairlynch 6: The Local History Room

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In the sixth of a series of posters illustrating different aspects 
of Fairlynch Museum we look at some of the items on show 
in the Local History Room.

Click on the image to enlarge it.

A good future for Local History at Fairlynch

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Museum volunteers will be sad to learn that our President and co-founder Joy Gawne informed the trustees recently that she was no longer in a position to be able to visit Fairlynch in future. With this in mind, our Chairman Trevor Waddington invited me to succeed her as Head of Local History at the Museum.

I spent some time with Joy recently to discuss what we saw as objectives for Local History at Fairlynch Museum. She was delighted to learn that the Local History Group has been reinforced by the arrival of seven new members, and that we can look forward to some exciting new initiatives thanks to their special interests. Here they are, getting to know each other during an enjoyable evening at The Feathers.

Pictured left to right in the above photo are: Museum Chairman Trevor Waddington, Mike and Margaret Wilson, my friend Annie and me, Di Waddington, Nick Loman and Roz Hickman.  An additional member, Bernard Hadley, was unable to join us for the occasion.



Another view of the Great War: Exmouth Museum

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Visitors seeking local memories of the 1914-18 world conflict have only another six weeks to go until the main season ends at Fairlynch on Sunday 27 September. 

Our Great War exhibition can be seen again briefly when the Museum re-opens during the school half-term before finally being dismantled.  But our neighbours in Exmouth – all volunteers just as in Budleigh – staged their own Great War display and their museum remains open until the end of October.

Exmouth is just a few miles along the coast from Budleigh Salterton. So it’s no surprise to find, from a rummage in the archives, that at least a dozen men associated with the Lower Otter Valley who died on active service during World War One also had links to the larger town.
























As at Fairlynch, there are photos of local men who served in the conflict. 

























Among them is Private Arthur Palmer, pictured above, recorded as having died at the Battle of Loos on 25 September 1915. He’s described in Exmouth Museum’s ‘Faces of the Great War’ panel as living with his wife on Halsdon Road in the town.  Born in East Budleigh, he is listed on the war memorial in that village.  But his name appears also on Exmouth’s and Seaton’s!*



















There’s a fine display of the medals won by some of these men.  



















Exmouth Museum must have been delighted to be given by his widow the medal ribbons worn by the noted WW1 flying ace Douglas Carbery MC, DFC (1894-1959).   A British Artillery officer, he was credited with six aerial victories while attached to the Royal Flying Corps and the Royal Air Force.  He later returned to the artillery, and commanded an anti-aircraft brigade during World War II, retiring with the rank of brigadier.
























Pride of place in the Exmouth Museum display goes to the town’s two VCs.


Featured above is Flight Sub-Lieutenant Reginald Warneford of the Royal Naval Air Service. He won his award on 7 June 1915 for destroying a German airship, but died in a flying accident ten days later. The epic tale of how he destroyed Zeppelin No 37 is well worth a read.
























Two years ago, Reginald Warneford’s name was in national headlines after a government ruling that only British-born Victoria Cross recipients would be  honoured with commemorative paving stones in their home towns, and Warneford had been born in Darjeeling, India. 























Warneford's own drawing of his downing of the Zeppelin

A vigorous media campaign to reverse the ruling led to the laying of a special memorial flagstone during a VC dedication service at the Strand Gardens, Exmouth on Sunday 7 June 2015 – exactly 100 years after Warneford’s award-winning mission. 























Just as absorbing is the story of the bravery of the Royal Navy’s Lieutenant Richard Douglas Sandford, who was born in Exmouth. 





















Pictured above, he won his VC for his command of submarine C3 in the daring raid on the port of Zeebrugge on the night of 23 April 1918.


















There are helpfully informative notices in Exmouth Museum’s exhibition about episodes of the Great War such as the Gallipoli campaign...


















... and even detailed explanations of how such hierarchies as infantry battalions were organised.



















Among the wartime artefacts I noticed this tank crew mask looking like medieval chain mail.






















And this vest pocket camera was one of a best-selling folding camera series made by Kodak from 1912 to 1926. Many remarkable photographs were taken by soldiers before the War Office issued its instruction banning cameras from the trenches in March 1915.













A neatly crafted example of ‘trench art’ on display is this cribbage board, made from a WW1 shell casing.


There’s lots more to see in Exmouth’s Great War display. Don’t miss it. For more information about the Museum click on



* Others included Major Reginald Elliott, Private Arthur Lake, Private George Hooper, 2nd Lieutenant Alfred Carter, Major William Addington, Private Bertram Coates, Private Norman Pengilley,  Able Seaman Herman Hart, Boy 1stclass Ernest Hewett, Able Seaman Leslie Hewett, Lance Corporal Ralph Hewett, Stoker Walter West and Seaman Thomas Troake. 

New clues to the fate of Ralegh's lost American colony

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Sir Walter Ralegh: the Devon hero who lost his head but helped Britain build an empire. His statue stands near All Saints Church in East Budleigh  

Exciting discoveries have been made at the site of an American colony pioneered by East Budleigh-born Sir Walter Ralegh. The finds will be of interest to the Fairlynch team which worked on this year’s exhibition to honour the great Tudor explorer and courtier.























Excavation at the Hatteras sites in 2012, where the ingot and counter was found and in 2015, where the rapier and slate were found.
Image credit: University of Bristol

Archaeologists from the University of Bristol have uncovered artefacts that they believe may help solve the long-running mystery of the fate of the first English colonists in North America. Excavations on the Island of Hatteras (North Carolina) have discovered a number of artefacts, dated to the late 16th century, which point to the possibility that the colonists assimilated into the local Native American tribe. It is hoped these early findings could solve one of America’s greatest historical mysteries.

Between 1584 and 1587, a number of expeditions were sent out from England to establish the first English colony in the New World. Under the leadership of Sir Walter Ralegh, the new lands were christened Virginia, and a permanent colony was established in 1587, that included over a 100 men, women and children. An expedition to locate the colony on Roanoke Island in 1590 discovered the settlement, but found it abandoned. The only clue to their whereabouts were the initials CRO carved on a tree and CROATOAN carved on a wooden post.

With English settlement at Jamestown in 1607, there were reports that the colonists had moved inland, and some had been killed by the local Indians, but otherwise their fate remained unknown.

The University of Bristol's research, working with the local community archaeology society, has been focused on the island of Croatoan, now called Hatteras. Here a significant number of 16th and 17th century native American sites have been located.

At one particular location, a number of dated artefacts have been uncovered that point to both the presence and the survival of descendants of the Lost Colony into the mid-17th century. Some of these artefacts were found in late 16th century levels, and include German stoneware and copper ingots.























A late 16th century Nuremberg counter.  An identical token has been found on Roanoke island, where the colonists first settled. Such counters were produced in England during the Middle Ages, but by 
the mid 16th century, the Nuremberg jeton-makers had effectively cornered the English market. 

Image credit: University of Bristol

One diagnostic find was a Nuremberg counter, of identical form to those found on Roanoke Island. Nearby, in midden levels, were found a rapier handle, a writing lead pencil and a writing slate. Excavations in the 1990s at this same site discovered an Elizabethan gold ring and a snaphaunce (musket mechanism)  from the 1580-1600 period.

These midden levels date to the mid-17th century, and suggest that some of these precious artefacts were curated over a period of time before being discarded.

Professor Mark Horton, Professor of Archaeology at the University of Bristol and the director of the excavations with the Croatoan Archaeological Society, said: “These are still just clues, we have no smoking-gun proof that the colonists survived into the 17th century, but the discovery of so many high-status objects in one place does suggest that possibility - the colonists moved into the local Native American community and became assimilated.”

Scott Dawson, the president of the Croatoan Archaeological Society, which has been sponsoring the project, said: “We have always thought that the colonists survived on Hatteras Island, and it is very exciting that the archaeological evidence is now beginning to support this idea.”

The excavation work will continue in 2016, and it is hoped that a full report on the finds and their detailed analysis will be published shortly after.   

Source: University of Bristol








Hey! Fairlynch Museum is tops!

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New arrival on the cultural attractions scene: the Heymuseums logo

Volunteers at Fairlynch  are cheering at the news that their museum has been judged one of the most popular in the region according to a specialist website.

Heymuseums places the Budleigh Salterton museum, located in a listed 19th century thatched building described as a “marine cottage orné” on the town’s Fore Street, as one of the leading attractions of its type in East Devon. 

The website, which calls itself the United Kingdom´s most updated site for finding museums and art galleries, puts Fairlynch near the top of its list for the area, second only to Exeter’s Royal Albert Memorial Museum and Art Gallery. It currently boasts of guiding online visitors to 5,898 museums in the UK.  














Facebook logo. For Heymuseums, Facebook plays a key part in listing a museum’s popularity


The site’s popularity-ranking between 0 and 10 indicates how popular the museums are on Facebook. The ranking is based on visitors ("checkins"), Facebook-likes and a number of other factors, and is updated weekly!

Helpful and informative volunteers at Fairlynch have been one of the keys to its success judging by other mentions of the Museum online. “Worth a visit just to have a chat with the staff” was one of the many words of praise on TripAdvisor.

"The Fairlynch Stewards are happy to be part of the great team of volunteers  running our Museum,” said a spokesperson. “We are delighted to have been singled out for such kind comments by the visitors!"

Information about Fairlynch Museum and Arts Centre is at http://www.devonmuseums.net/Fairlynch


Heymuseums’ listing:

RAMM 7.5
Fairlynch 6.5
Coldharbour Mill 6.4
Bill Douglas Centre 6.2
Topsham 6.2
Tiverton Museum of Mid-Devon life 5.6
A la Ronde 5.2
All Hallows Museum, Honiton 4.7
Exmouth 4.7
Sidmouth 4.7
Whimple Heritage Centre 4.7


Some recent 2015 comments on TripAdvisor

11 August "Despite having lived nearby for most of my life this was my first visit with my daughter aged 6. We loved it. The staff are very welcoming and although the museum is small there is a lot packed in with lots to capture the interest of children. There is a room dedicated to local geology, one for Sir Walter Raleigh, one for pirate history, one for the world wars and another for costumes. We spent 1-2 hours here."

29 July "A fascinating place to while away an hour. Lots of local info and historical pictures. Very knowledgeable and helpful volunteers. Free but donations welcomed."

26 July "Great small museum. We found this little museum by chance following a visit to Budleigh Salterton. It's well worth having a look round; there are lots of things to see. The volunteer room guides are very friendly and knowledgeable and clearly love what they do."

18 July  "Most interesting local museum. Good displays particularly the new Walter Raleigh room. The volunteer staff very friendly and informative. Worth a visit just to have a chat with the staff."

13 June Great place to visit on your way to the sea! Very interesting and the volunteers who man it are knowledgeable and helpful.


Of cups and plate, Pt 1

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This is the story behind the recent acquisition by Fairlynch Museum of the beautiful replica of a 16th century communion cup from which Sir Walter Ralegh may have drunk.   It is hoped to exhibit the original silver chalice and paten, currently in storage, at Exeter Cathedral. Crafted by one of the city’s celebrated goldsmiths, they are among the treasures of All Saints Church, East Budleigh, birthplace of Queen Elizabeth I’s favourite courtier.  In 2018 we will be marking the 400th anniversary of his wrongful trial and execution. 



























Promotional poster of 'Indiana Jones and the Last Crusade' by artist Drew Struzan 
Image credit: Paramount Pictures via Wikipedia

“You have chosen wisely,” the Grail knight tells the hero in the film 'Indiana Jones and the Last Crusade.' Terrible things befall those who choose poorly and drink from the wrong communion cup.

And so it was during the turbulent years of religious wars brought about by the Reformation in Europe. 


























A chalice with the inscription: 'My blood truly is a libation', made in 1549 for the church of St John the Baptist in Salinas, Spain.  © Victoria and Albert Museum, London




























This chalice, held at the Walters Art Museum in Baltimore, Maryland, USA,  is decorated with images of saints and scenes from the life of Christ,  Its stem and cup were probably made in Germany c.1500 and are later than the base, which has been attributed to Bohemia or Austria and dated c.1400. The enamels contain an image of the apostle Andrew (holding the X-shaped cross on which he died), to whom the church where the chalice was used was probably dedicated. Around it are the Annunciation, Crucifixion, Resurrection, and Ascension (with Christ disappearing in the clouds). The last scene shows St. Martin (316-97), bishop of Tours (France), celebrating mass as divine flames descend upon an altar with a chalice upon it

Countries which embraced Protestantism rejected the decorative, sometimes bejewelled chalices which were characteristic of the Roman Catholic tradition.
























The name of Exeter's Goldsmith Street in the city's main shopping centre stands as a reminder of its traditional crafts

In the West Country, up to and including the 16th century, silversmiths relied heavily upon the Church for business. Two notable Exeter goldsmiths of the 16th century were John Jones and Richard Hilliard, father of Nicholas the famous miniaturist. 




























St Petrock's Church, Exeter   Image credit: Robert Cutts

One of the most productive goldsmiths of his age, John Jones (d.1583-84) was a Bailiff of the city in 1567 and Churchwarden at St. Petrock's in 1570.

The goldsmiths  benefited enormously  from changes brought about by English Reformation.  Much church treasure was confiscated by Henry VIII, with plate being melted down and reworked to conform to the new Protestant liturgy.  The process was even more marked in the 1550s, which saw the seizure of most church gold and silver ornaments by officials of Edward VI’s government.  










'The murder of Zwingli' by the 19th century Swiss artist Karl Jauslin   Image credit: Wikipedia

In Europe, the most extreme example of the tendency to reject such Catholic practices was seen as early as April 1525 when the reformer Ulrich Zwingli celebrated Maundy Thursday with wooden rather than silver cups. 

Was such Protestant extremism seen in English parishes? “It is hard to be sure what was happening, especially since there was such variation on the ground,” says Dr Laura Sangha, of the University of Exeter’s Department of History. 

“We do know from churchwarden accounts that many parishes either sold their communion chalices during Edward VI's reign, or they had them confiscated by the authorities. There is also evidence that some parishes bought wooden cups at around the same time, so certainly they were in use in some places.”



























Queen Elizabeth I, by the Exeter artist Nicholas Hilliard

The brief period of Mary Tudor’s reign saw a return to Catholic practices. But by 1559 when her half-sister Elizabeth ascended the throne England was ready to ready to accept compromises in matters of religion.

The young Walter Ralegh had seen at first-hand a country torn apart by sectarianism while fighting as a teenager for the Huguenots in the French Wars of Religion between 1569 and 1572. “The greatest and most grievous calamity that can come to any state is civil war,” he would later conclude in his  History of the World.   

The new queen evidently shared his view. “Away with those torches, for we see very well,” she is supposed to have exclaimed at her coronation, when greeted by the Abbot of Westminster and his monks. 

Elizabeth’s apparent rejection of the Catholic practice of lighted candles, a relic from the previous reign, would have been interpreted by Protestants as a sign of her reformist tendencies.

Equally, the queen wanted to reassure Catholics that she respected elements of the old tradition. “The coronation was a typical Elizabethan compromise with something to confuse and offend everyone,” concludes Professor Richard McCoy in his study of the ceremony, keenly watched by contemporaries for hints of the government’s religious policy in the new reign.









The paten of the original 16th century silver chalice made by John Jones


The Elizabethan Settlement deliberately encompassed a range of preferences when it came to religious worship, and this included more decoration and ceremonial that would have been tolerated during the Edwardian regime, writes Laura Sangha.  









A close-up showing detail, carefully copied in the pewter replica

Fairlynch Museum’s recently commissioned copy of the 1570s chalice made by John Jones is a perfect example. More than a hundred of the Exeter goldsmith’s communion cups have survived. They made his fortune; churchwarden accounts of St Petrock’s church in Exeter show that Jones was paid £1 15s 5d in 1572 for ‘converting’ a communion cup to make it suitable for Protestant worship, melting down its medieval predecessor in the process. 

The original chalice  on which the Fairlynch replica is modelled is one of All Saints Church’s most treasured possessions. Sir Walter Ralegh himself may have drunk from it.

Beautifully crafted by Birmingham pewterers A.E. Williams – probably the oldest firm of its kind in the world -  our moderately decorated 21st century version reflects the new spirit of compromise which characterized the Virgin Queen’s reign.  Replica it may be, but the latest acquisition at the Museum  tells a fascinating story from a crucial period in British history.



 



For more examples of A.E. Williams' work click on http://www.pewtergiftware.com/








Living in the age of the cybersnap

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Doing my bit for a museum in cyberspace

We used to be told that the computer would lead to a paperless society. I wish…!

Heading our Fairlynch Local History Group as I agreed to do some weeks ago, I now find extra paperwork in my mailbox at the museum. Some of this consists of green forms completed by visitors who seek information or indeed offer information which could help in updating our records.

The Museum has in the past provided photocopies of photographs requested by visitors who complete the form leaving their address a fee with a steward.

Noting that two of the recent forms included an email address I thought I’d save a bit of time and some trees by suggesting to the people concerned that they might prefer a photo – a jpeg or ‘cybersnap’ as I call it.

Hi Michael” came back the reply within a few minutes.  “That would be perfect. Thanks.  Best wishes  B. Sent from my iPad.”  A hour or so later, after some rummaging in the archives, job done!  Four decent-res snaps sent off to a delighted B who emails: “Thank you Michael.  I have them safely on my laptop and I can print them any size I like now.”  


















Mrs A. was just as pleased when I sent her a picture she wanted: a digital version rather than a photocopy. “Thanks so much for going to the trouble of finding this photo and sending it on.  It is very interesting to see how the house was compared to how it looks now. I have a large format printer so I shall print this off and frame it.”


Technology’s great when it works.      

From WW1 to WI

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To lighten the gloom of all my sad centenary blogging about battles come the celebrations this month marking 100 years of Women’s Institutes. No surprise to learn that the WI movement had its origins – in Britain at least – in the aim of encouraging women to become more involved in producing food during the First World War, as suggested by the above wartime poster.


So those grim years of the 1914-18 conflict saw a remarkable growth of the movement. The end of 1916 saw 40 WIs across the UK; by December 1919  there were a total of 1,405 branches.

Today, the WI nationally has over 212,000 members in just over 6,600 branches.  It is the largest voluntary women’s organisation in the UK.  
























I hadn’t realised that the WI actually started in Canada as early as 1897, so this seems the right place for a second wartime poster published by the Canada Food Board



There’s a lot more that I hadn’t realised about Women’s Institutes. Betty Hebditch, secretary of East Budleigh with Bicton WI, is keen to tell us about the history of her branch, one of the oldest in Devon having started in 1919. It’s putting on an exhibition at the Salem Chapel in East Budleigh, from Friday 11 to Sunday 13 September.

















A 1965 Group of the Clinton (Budleigh Salterton) Women's Institute taken in the back garden of Cramalt Lodge, the home of Fairlynch Museum President Joy Gawne

Betty just happens to be a volunteer at Fairlynch, so she’s been ideally placed to rummage through the museum archives and gather memorabilia and artefacts, including rarely seen photos.  The East Budleigh with Bicton WI branch is one of the last locally, the Clinton (Budleigh Salterton) branch having disbanded in 2005.

The first Budleigh Salterton WI met in the afternoon, the second  – Clinton WI – met in the evenings.  The afternoon one closed first and some members moved to Clinton WI.  When that closed in 2005 some members moved to East Budleigh with Bicton.

















Budleigh Salterton WI Christmas Sale craft table, circa 1956.  Left to right: Betty Daniel, Elsie Webber, Ruth Roots, Cecil ‘Moppy’ Elgee.

Betty tells me that at least half the members of her branch live in Budleigh Salterton. Notable past members include thespian Vivienne Furze and former Otterton resident Clare Milne, daughter of Christopher Robin Milne and granddaughter of the author A.A. Milne. 

Among other good causes, Betty’s branch supports the Clare Milne charitable trust, set up in 2002 to use the funds from Clare's grandfather's books: grants of between £1,000 and £25,000 are available for disability projects in the South West. For details see www.claremilnetrust.com

The Salem Chapel will be open during the three-day exhibition from noon until 4.00 pm. Entry by donation.



   

Becky's Christmas Angels take off!

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Budleigh Salterton’s Fairlynch Museum  is proving to be an effective showcase for local artists.

When local ceramicist Becky Godwin-Coombs arranged for her hand-made wares to go on sale in the Museum’s newly opened craft shop she little dreamed of the good tidings that would result.





















But a chance visit to Fairlynch from a buyer for the National Trust resulted in a contract to supply Christmas decorations to all NT properties in Devon. This has been expanded this year with National Trust offering these Angel Ceramics products centrally, so they are now available in more shops around the UK and on the NT Christmas web site.



















Made from high-fired fine porcelain, Becky’s simple and elegant creations of angels, snowflakes, robins and many other seasonal ornaments make a beautiful addition for any tree.  

















“The quality of porcelain can be seen when hanging the decorations in front of tree lights, where the translucent properties of the porcelain really shine through,” she says. “Each decoration comes in its own gift box, so they can be stored safely away until next year.”
















The finishing touch: Becky at work in her studio   

These delightful decorations make great teacher’s gifts, for that Christmas dinner party gift, to jazz up that special present or just to give to someone knowing that you are supporting a local business.



You can find out more about Becky’s craft wares at www.angel-ceramics.co.uk  , email: info@angel-ceramics.com  or call:  0845 901 1747

Fit Faces at Fairlynch 2: Miss Bannister's School

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In the second of our Fit Faces series Fairlynch Museum invites you to try and identify some of the faces with missing names from our photo collection.

This time it's back to 1977, to Miss Bannister's School. 

Here are some of the names of pupils in the above photo:
Sitting (l-r): Rachel Anslow, Jane Briggs, Philippa Stowman, Miss Bannister, unknown, Belinda Clarke, unknown.
Standing (l-r): Unknown, unknown, unknown, unknown, unknown, Carl Clarke, Nicholas Matthews, Christopher Briggs.  

If you can help us out by giving us just one or two names, please email fairlynchlocalhistory@gmail.com 

To read about the legendary Miss Bannister and her long teaching career in Budleigh Salterton click on  http://budleighbrewsterunited.blogspot.co.uk/2013/11/people-from-past-8-joan-bannister-1909.html

Of cups and plate Pt 2

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Fairlynch Museum Trustee Michael Downes, left, with David Williams holding the replica chalice. In the background is the copy by Budleigh Salterton Venture Art Club of Millais' famous painting 'The Boyhood of Raleigh.' The Museum displayed the original painting on two occasions in the past

David Williams, Managing Director of Birmingham-based  pewterers  takes us through the design and manufacturing process involved in Fairlynch Museum’s replica of the All Saints Church chalice designed by Exeter goldsmith John Jones in the 1570s.

“Our approach to producing this chalice makes for an interesting story itself,” says David. “But making it was not easy. Because of the value of the chalice, we could only work from measurements and photos and were not able to make a mould directly from it. The measurements of the original were taken by Fairlynch Museum Chairman, Trevor Waddington, who was also involved in the project.”

 



"We arranged for the lid to be sculpted from photographs that were provided of the original.
















The Tudor rose, on top, is separate; it was sculpted in milliput, a modelling material. Milliput is in fact the trade name for a cold setting, non shrinking, two-part epoxy putty.
























The base and stem were sculpted in the same way, in milliput, again just from photos of the original.

























The base is separate, with the stem just placed on top. Once these components had been sculpted, we could make rubber moulds. These were used to cast the parts centrifugally.


Once the base, stem, lid and top had been cast, we made a nylon chuck - again from artwork - and used that as the former on which to spin the body. Since we were not allowed to create a mould from the original, the chuck was made from measurements and photos of the original chalice.















The engraving on the original chalice was repeated four times around the chalice and joined up to make a wide band."






















The final photograph shows the chalice now soldered together and polished.

“We are extremely proud as a company to be able to reproduce such a beautiful 16th century piece in pewter,” said David. “It makes you realise, as a craftsman, that these people 500 years ago really were the guardians of the craft.”


Fairlynch Museum is closed BUT....

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Click on the image to make it bigger.

Taking notice of Fairlynch

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Thanks to the generosity of Honiton-based firm DuraLife Windows the Museum now has a smart new weatherproof noticeboard.


























Job done! Looking pleased with their efforts are Matt Jordan from Duralife and Fairlynch volunteer George Norman.  

Click on the company's website to see their range of products http://www.duralifewindows.co.uk/

Joyce Dennys entertains!

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Click on the poster to make it bigger.

Aspects of Fairlynch 7: Art

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In the seventh of a series of posters illustrating different aspects of Fairlynch Museum we look at some of the items on show in our Art collection. 

Click on the image to enlarge it. 

Our marquee: a special offer to Friends of Fairlynch

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Yes, it's true! Are you a Friend of Fairlynch? 

Are you planning a party and need a bit of extra space, or just a bit worried about the mess that guests might leave on the carpet?

Here's the answer! You can borrow a spacious and reliable marquee by negotiation with Fairlynch Museum. 

  









It's a fairly chunky beast as you can see from the photo - strong poles so it won't blow away in the Devon gales. 

A flat lawn helps!

Contact the Museum if you'd like to know more: 
Tel: 01395 442666   Email: admin@fairlynchmuseum.co.uk 

OBJECT OF THE MONTH October 2015: Silhouette of Matthew Lee Yeates (1777-1847)

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To mark the installation of our new noticeboard I’ll be posting each month a little piece about an item associated with Fairlynch Museum. Sometimes the item will be quite trivial; sometimes more important.


Let me know if you have a favourite item in the Museum that you’d like to see on display both on this blog and on the noticeboard.  I can say who nominated it, or not, as you prefer. You can even include your own bit of verse. 

Click on the image to enlarge it. 

From slavery to sponges: imagining conversations in Victorian Budleigh Part 1

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The latest arrival on Fairlynch Museum's new noticeboard is a poster advertising the free workshop on Saturday 14 November at the Exeter Community Centre on ‘Legacies of British slave-ownership.’ It's organised by the History Department at University College London. Details can be found at   http://www.ucl.ac.uk/lbs/ 

The poster was circulated to Devon museums including Fairlynch. No doubt organisers of the workshop feel that there are many in the county who have strong views about the issue of slavery and the extent to which Devonians were involved in it.

I touched on the issue in an earlier post following my visit to the exhibition ‘West Country to World’s End - The South West in the Tudor Age’ at Exeter’s Royal Albert Memorial Museum and Art Gallery. Click here to read it http://budleighbrewsterunited.blogspot.co.uk/2014/01/glorianas-west-country-on-show.html 



























Devon historian Dr Todd Gray devoted a whole book to the subject in his 2007 publication Devon and the Slave Trade and thereareinteresting contributions to be read online such as Community Researcher Di Cooper’s study of Exeter’s involvement at http://www.tellingourstoriesexeter.org.uk/uploads/Documents/Stories%20to%20Publish/Exeter%20Aboltionists.pdf  

Also available online is research carried out by Gillian Allen into slave-owning families in Ottery St Mary, published in the superb Heritage - Journal of the Ottery St Mary History Society at http://www.ucl.ac.uk/lbs/media-new/pdfs/ottery.pdf    Her conclusion, which must surely have ruffled a few feathers, is that “even the apparently innocuous town of Ottery St Mary shares some of the responsibility for the exploitation of Africans with its legacy of racial division and bitterness.”

So anybody intending to participate in the November workshop will find plenty of material freely available to prepare them in advance for the event.

I thought I might investigate Saltertonians involved in the slave trade. 

The subject has previously been dealt with by local researcher Roger Lendon in some articles published on Ovapedia: the Walcott family with connections to 19th century Barbados and William Wylly (1757-1828) who owned plantations in the Bahamas are two former residents of the Budleigh area whose names are prominent in recent writings about slavery. 


Some time ago former Fairlynch Museum volunteer Sheila Jelley pointed out that the town’s most famous scientist  – Budleigh-born Henry Carter (1813-95) - may have owed his education to wealth derived from a Jamaican plantation.

John Campbell, a Budleigh Salterton resident who died in 1841, aged 75, was a very rich man. He is listed in the 1830 National Commercial Directory for Devon published by Pigot and Co., in the 'Nobility Gentlemanry And Clergy' section.

Eric Delderfield writes of John Campbell's house in The Raleigh Country, quoting from a 19th century guide book to Budleigh Salterton which mentions Cliff Terrace; “to the westward, in a beautifully secluded vale, are the extensive grounds and seat of John Campbell, esq.” 

I’ve yet to identify the exact location.

Some of John Campbell’s wealth had been inherited from his brother Dugald, owner of the Salt Spring estate in the parish of Hanover, Jamaica, following Dugald’s death in 1817. 

Dugald’s will, made on 21 November 1813 while he was living at Thomas’s Hotel in Berkeley Square, and proved on 7 January 1818, had left his estate in trust to his brothers John and Duncan, Robert Scarlett and a London mortgagee James Boyick. Interestingly, among others mentioned in the will were two ‘negroes’, James and William, who were to be manumitted (released from slavery) and were to receive £10 per annum.


Below are photos of the Great House at Salt Spring 

© 2013. Jamaican Family Search
http://www.jamaicanfamilysearch.com


































































View from the balcony of Salt Spring Great House, looking over cane fields towards Cambleton, Orange Bay, and Salem

























When researching material for my booklet The Scientist in The Cottage I’d been frustrated by the lack of information about the schooling which young Henry Carter had received. He had studied medicine at Exeter, in Paris, and later at University College Hospital in London before setting off abroad.   Yet I’d been unable to discover how his education had been funded.















The answer lies probably in John Campbell’s Will, dated 4 August 1841. At the time of Campbell’s death on 9 March in that year the 28-year-old  Carter  had just been appointed Surgeon in the Army of the East India Company. He would remain in the sub-continent for the next 21 years.  

It’s clear that the future Fellow of the Royal Society and internationally celebrated expert on marine sponges was one of the beneficiaries of Campbell’s will, which states that the sum of three hundred pounds was given to “my young friend and protégé Henry John Carter.”  


Another young beneficiary of John Campbell’s will was a William Holland Johnson described as “now at sea on a voyage to the East Indies” and who would by the terms of the will receive £1,200 “if and when he shall attain the age of twenty one years.”

How did Carter meet his benefactor, and what influence did Campbell have on the younger man, I wondered. Did he encourage Carter to try his fortune abroad. Perhaps that was why Carter embarked on nautical explorations such as the two-year voyage through the Arabian Sea on the survey-ship Palinurus, and into the desert regions which the young geologist describes in publications of the time? 

To be continued.





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